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Best studio headphones

The best headphones for studio use.

Published onApril 9, 2024

The Best
Beyerdynamic DT 900 PRO X
MSRP: $299.00
Sound quality
Plush fit
Replaceable parts
Low impedence
A bit heavy
Not very portable
Bang for your buck
Sony MDR-7506
MSRP: $99.99
Good sound for mixing
Solid cable
Coiled cable is heavy
Not comfortable with glasses
Best sound
Sennheiser HD 800 S
MSRP: $1,699.95
Sound quality
Illusion of space
Removable cable
Easy to equalize
Pad material glasses-unfriendly
Best open-back
Sennheiser HD 490 PRO
MSRP: $399.99
Neutral sound
Two washable ear pads
Includes Dear Reality dearVR MIX-SE plugin
Difficult to swap the ear pads
Best portability
AKG K371
MSRP: $157.97
Excellent sound quality
Comfortable with or without glasses
Plenty of accessories
Replaceable ear pads
Articulating ear cups
Isolation just ok
Sound leaks

People love music, not headphones. Headphones are just tools that let us listen to music. Whether you’re a professional sound engineer or a musician, you will want to hear your music reproduced accurately. Thankfully, studio headphones can go a long way to help you with that, and we’ve rounded up the best ones currently on offer.

What's new?

Why is the Beyerdynamic DT 900 PRO X the best set of studio headphones?

Beyerdynamic DT 900 Pro X on head
Creative professionals will enjoy using this pair of open-back headphones for audio mixing.

The Beyerdynamic PRO X series caters to the modern creator with a low 48Ω impedance and comfortable build. The Beyerdynamic DT 900 PRO X has an open-back design, and all of the parts are easy to replace without the need for tools. This is a great pick for engineers who want to focus on production and can’t afford to get bogged down with difficult repairs.

If you’ve used a set of over-ear Beyerdynamic headphones before, you’ll feel right at home with the DT 900 PRO X and its plush ear pads. A mini-XLR input sits on the left ear cup, and the included cable locks into place.

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Since this is an open-back headset, its utility is a bit limited. You’ll hear everything gone around you should you choose to take it on a stroll. But hey, that’s unlikely anyway since this is built for studio use. When you do get the headset into a quiet environment, you’ll enjoy excellent audio reproduction with consistent volume output from the bass and mids. There’s a 5dB boost relative to our house curve, from 4-7kHz, but that can make it easier to hear string attacks during a particularly busy part of a song. This isn’t always ideal when mixing audio, so you can always EQ it down via a desktop application.

Beyerdynamic DT 900 PRO XBeyerdynamic DT 900 PRO X
SoundGuys Editor's Choice
Beyerdynamic DT 900 PRO X
Sound quality • Plush fit • Replaceable parts
MSRP: $299.00
Open-back wired-only headphones for creative professionals
Content creators, music professionals, and audio enthusiasts can all get something out of the Beyerdynamic DT 900 PRO X. These open-back wired-only headphones are great for mixing, mastering, or just critically listening to your favorite songs.
A chart compares the Beyerdynamic DT 900 PRO X to the Beyerdynamic DT 700 PRO X frequency responses against our Studio Curve V2, and displays minor midrange and treble response differences between the headsets.
The Beyerdynamic DT 900 PRO X (cyan) has a more accurate midrange response and more boosted treble response than the Beyerdynamic DT 700 PRO X (yellow dash).

The DT 700 PRO X is essentially the same headset but with a closed-back design instead. If you want the option to listen to your music on the go, this is a better option than the DT 900 PRO X. Both headsets cost the same, but the open-back version has a better midrange response for mixing, though the treble peaks are greater than the DT 700 PRO X. You can see a frequency response chart comparing the two headsets here.

The Beyerdynamic DT 990 Pro being worn by Adam Molina.
The Beyerdynamic DT 990 Pro headphones are ridiculously comfortable.

For a purpose-built set of open-back critical listening headphones, the Beyerdynamic DT 990 PRO is a decent option, but it’s better for mixing. It sells for less than the DT 900 PRO X and still offers a good balance of comfort and utility. One downside is that its 250Ω rating requires a headphone amp or audio interface if you want to equalize the headphones. If you have one already, then that works, but if you don’t, the nice price (compared to the DT 900 PRO X) might not actually work out to be cheaper overall.

Beyerdynamic DT 990 PROBeyerdynamic DT 990 PRO
Beyerdynamic DT 990 PRO
Comfortable • Great sound • Price
MSRP: $179.00
Like good-sounding pillows for your ears.
For less than $200, it's not hard to understand why the DT 990 PRO is considered to be a classic pair of cans for audio producers and music lovers alike. If you don't want to splurge on Beyerdynamic's updated line of DT PRO X headsets, then this is an absolute steal.

Save money and go with the Sony MDR-7506 for professional mixing

The Sony MDR-7506 headphones fit nicely into a backpack.
The MDR-7506 headphones have a plastic build with a are over-ear cans meant for production.

Ever since the mid-1980s, producers and artists alike have relied on the Sony MDR-V6 and its progeny. Boasting a revealing frequency response and a rugged, convenient design, the Sony MDR-7506 is all over the audio industry. If you want the gear the pros use, this is the starting point.

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Of course, older headphones like this have some drawbacks. Namely, those ear pads don’t tend to last a long time even if you clean them often, so you may find yourself looking for replacements. Not to worry, though, Amazon has a ton of those, and they’re fairly cheap to buy. Other headphones like the Audio-Technica ATH-M50x and its series also use the exact same size of headphone pads. It’s also from the era when you could expect your headphones to be repairable, making them slightly more eco-friendly than the average headphones.

Sony MDR-7506Sony MDR-7506
Sony MDR-7506
Affordable • Comfort • Durable Design
MSRP: $99.99
The industry standard for a reason.
The Sony MDR-7506 might not be the best for enjoying your brand new listening station, but there's a reason this is a standard when it comes to audio production and mixing.

Get what you pay for with the Sennheiser HD 800 S

A photo of a man listening to the Sennheiser HD 800 S headphones.
The Sennheiser HD 800 S does a great job of recreating the illusion of space in recordings.

If you’re in the market for audio nirvana and have the budget to match, look no further than the Sennheiser HD 800 S. These headphones are an audiophile’s dream, meant for those who desire an “endgame” experience without future upgrades. Don’t let their understated appearance fool you. Forgoing gold leaf and leather, they focus on what matters most: exceptional sound quality and unparalleled comfort. The unique, hemisphere-shaped ear cups maximize space around your ears, allowing for an impressively natural sound reproduction. Paired with a lightweight build and velour ear pads, comfort is guaranteed, even during marathon listening sessions.

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But the real magic lies in their performance. Offering a soundscape that provides an uncanny illusion of spatial depth, the HD 800 S is a cut above the rest. Thanks to deep ear cups and angled drivers, they excel in recreating the intricacies of various genres—from the crispness of orchestral pieces to the adrenaline of action movies. The bass is a tad subdued, which might not be to everyone’s taste, but this is by design. Besides, the bass and other sound elements are easily adjustable via equalization without any noticeable distortion, even at higher levels.

So, is this headset worth its hefty price tag? Absolutely, but with a caveat: they are for a very specific audience. If you’re someone looking to invest in a dedicated indoor listening station where cost is secondary to quality, these headphones will feel like a revelation. The Sennheiser HD 800 S delivers a top-tier performance with only minor footnotes, making them a shoo-in as a top pick for studio headphones.

Sennheiser HD 800 SSennheiser HD 800 S
Sennheiser HD 800 S
Sound quality • Illusion of space • Comfort
MSRP: $1,699.95

Sennheiser is an audio stalwart and remains one of the most reputable audio companies around. Sure, many debate over which of its headphones sounds better, but the HD 820 dominates the hi-fi conversation, and it far exceeds our top-end budget of $1,000. The large, closed-back design is a departure from the beloved HD 800, but the Sennheiser HD 820 retains the unique aesthetic Sennheiser fans have grown familiar with.

Although listeners may be concerned by the transition from open-back to closed-back between the high-end models, Sennheiser claims that this design is able to achieve the same open soundstage that we’ve come to expect. What’s more, it’s also able to insulate listeners from external noise better as a result of the closed build.

For better or worse, these 300Ω audiophile headphones require the use of an external amplifier, which will set you back quite a bit more. We understand that many people are simply in search of reliable studio headphones and aren’t looking to consider a payday loan to cover their next set of cans. Regardless, we felt it appropriate to tip our hats to the Sennheiser HD 820 and feature more financially viable options below.

Sennheiser HD 820Sennheiser HD 820
Sennheiser HD 820
Improved isolation • High-end headphones • Open soundstage
MSRP: $2,399.95
The leader of the high-end headphones.
Sennheiser HD 820 headphones use a large, closed-back design which improves the isolation from external noise and achieves the same open soundstage as other high-end models.

Audio-Technica’s ATH-M50X is a classic pair of studio headphones

A close-up of a man's head wearing the Audio-Technica ATH-M50x showing the importance of a good seal for audio quality.
A solid over-ear seal ensures you get the most out of your headphones.

The ATH-M50x has a reputation for being the go-to pair of budget studio headphones, but it’s not as accurate as many people think. Sure, Audio-Technica tuned these to have a more neutral frequency response than most consumer headsets, but there is some audible bass amplification. This isn’t inherently a bad thing as it makes the ATH-M50x a great pair of versatile headphones for daily listening, but be aware that the ATH-M40x has a slightly more accurate sound profile.

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Because of the bass bump, this might be better for the musician who needs to feel more from the instrumentation while in the recording booth and then still wants to listen to some music on the way home. The ATH-M50x will satisfy both roles well. The ear cups sit flat on your ears and provide a decent amount of isolation, not to mention that they also swivel up to 90 degrees.

Audio-Technica ATH-M50xAudio-Technica ATH-M50x
Audio-Technica ATH-M50x
Rotating ear cups • Well-build quality • Studio-style sound
MSRP: $169.00
A great pair of wired headphones for budding audio engineers and veterans.
Once the best in the ATH-M line, the ATH-M50x is still a good choice for casual listening and recording audio. It offers plenty of cable options to fit a studio setup and yields a pleasant sound for casual and analytical listening.
Close up of the buttons and connections on Audio-Technica ATH-M50xBT2 ear cup.
From left to right: microphone, USB-C connection, headphone jack input, volume down, power/play/pause, volume down, and Bluetooth pairing.

The Audio-Technica ATH-M50xBT2 is everything we love about the ATH-M50x but with wireless connectivity. You get your choice of the SBC, AAC, and LDAC Bluetooth codecs when out and about, or you can just revert to the 3.5mm headphone jack for studio use. The microphone is pretty good, and it’s a great option for those who want one pair of headphones to do everything with.

The Sennheiser HD 490 PRO is best for bedroom music producers

A man wearing the Sennheiser HD490 PRO headphones.
Chase Bernath / SoundGuys
These headphones are an excellent option for audio professionals.

The Sennheiser HD 490 PRO stands out as an exceptional choice for audio professionals and bedroom music producers alike, offering versatility, durability, and excellent sound quality, especially for those in pursuit of open-back headphones. Designed with music production in mind, these headphones feature swappable ear pads, allowing users to tailor sound and comfort according to their preferences. Despite the challenge of swapping the ear pads due to their non-magnetic attachment mechanism, both the velour and fabric options offer substantial comfort for extended listening sessions. The HD 490 PRO also includes a unique offering, the free dearVR MIX-SE plugin, enhancing the mixing experience by simulating various listening environments within digital audio workstations.

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Weighing just 260g, the HD 490 PRO’s design prioritizes comfort for long studio sessions without compromising on sound quality, which remains neutral across different ear pad options, offering a slightly varied listening experience. The headphones support both casual listening and professional mixing needs, thanks to their detailed soundstage and the ability to accurately reproduce sub-bass frequencies, a rare find in open-back designs. However, they fall short in noise isolation, a common trade-off with open-back headphones, making them less ideal for noisy environments or recording acoustic instruments.

Sennheiser HD 490 PROSennheiser HD 490 PRO
Sennheiser HD 490 PRO
Open back • Two washable ear pads • Includes Dear Reality dearVR MIX-SE plugin
MSRP: $399.99
Built for comfort, clarity, and versatility.
The Sennheiser HD 490 Pro are professional open-back headphones tuned for professional use. Swappable ear pads and reference sound make this an ideal headphone for music producers.

Take your mixing anywhere with the AKG K371

The AKG K371 wired over-ear headphones' ear cup rotated back 45 degrees while being worn by a woman in profile.
If you’re looking for a pair of studio headphones, the AKG K371 is a great alternative.

The AKG K371 is a great pick for anyone who travels frequently. Despite the over-ear design, this package is slim and portable: the ear cups flip up and into the headband, similar to Audio-Technica’s design. What’s more, the K371 is good for DJs as you can rotate either ear cup backward and up to keep one ear on the crowd.

The frequency response was tailored using Harman’s consumer preference research curve, which helps create content that translates well to other systems. AKG supplies you with three cables, two straight and one coiled, so no matter your environment, you’ll have something that works for you.

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Despite the plastic build, the headphones are durable and withstand multiple trips at the bottom of a backpack during our full review. Don’t drop an unabridged encyclopedia onto this headset, but the build can withstand some roughhousing. What’s more, these headphones are great for listeners with glasses because the slow-retention memory foam wraps around the glasses’ arms.

AKG K371AKG K371
AKG K371
Excellent sound • Replaceable parts • Great sound
MSRP: $157.97
One of the best wired headphones on the market
The AKG K371 is one of the best over-ear headphones combining sound quality, comfort, functionality, and portability. The ear pads are rotatable and replaceable.

Should you buy the Audeze MM-100?

Audeze MM-100 headphones on a white and purple table.
These headphones are for a very specific niche.

The Audeze MM-100 headphones are an affordable entry into the high-quality, planar magnetic driver-equipped offerings from Audeze, a brand traditionally known for its high-priced models. Despite their robust build quality and the advantage of a low impedance that broadens compatibility with various devices, these headphones are a tad heavy, which, coupled with limited sizing options and the absence of a 3.5mm adapter, could deter potential users. Their sound profile tends to overemphasize mids, potentially alienating those who prefer a more balanced or bass-forward listening experience. Overall, it’s ideal for a niche market of mixing engineers or producers who prioritize mid-range clarity in their audio work. The MM-100 may not satisfy the broader audience seeking versatile studio headphones. This product finds its strength in a specific domain, serving well those in need of detailed mid-range analysis rather than offering an all-around listening solution.

Audeze MM-100Audeze MM-100
Audeze MM-100
Planar magnetic drivers • Premium magnesium and steel design
MSRP: $399.00
Mixing headphones that don't break the bank.
Designed alongside Grammy award-winning engineer Manny Marroquin, the Audze MM-100 headphones aim to provide professional performance at an affordable price.

The best studio headphones: Notable mentions

The Sennheiser HD 600 headphones on a wood table.
Christian Thomas / SoundGuys
The Sennheiser HD 600 is 25 years old now, and it’s still a good buy at the right price.
  • AKG K240 Studio ($56 at Amazon): This pair of open-back headphones serves as a great alternative to the Sony MDR-7506 and features a more modern, stylish design with larger ear cups.
  • AKG K702 ($135 at Amazon): This pair of open-back headphones has its place in a studio, but remember that it won’t have much bass. While it’s very comfortable, the size can be a bit unwieldy, and you can get a better-value headset.
  • Audio-Technica ATH-AD900X ($189 at Amazon ): While you don’t want to use this in the recording studio because the open-back design causes the sound to bleed through, it’s great to use during the mixing phase of music-making.
  • Audio-Technica ATH-M20x ($49 at Amazon): If you really can’t push your budget, this is one of the best options for studio-style headphones under $50.
  • Audio-Technica ATH-M40X ($99 at Amazon): Although the ATH-M50x is often in the limelight, the M40X is no slouch and provides a less emphasized low-end.
  • Beyerdynamic DT 1990 PRO ($529 at Amazon): If you want absolute luxury and don’t mind paying for it, this set of open-back cans looks, sounds, and feels premium.
  • Sony MDR-MV1 ($347 at Amazon): The Sony MDR-MV1 is a capable set of headphones for content creation, but shouldn’t be the first set of cans you grab for casual listening.
  • Sennheiser HD 280 Pro ($87 at Amazon): This monitoring pair is widely regarded as some of the best budget-minded studio headphones that take a tank to kill. For under $100, that’s not a bad return.
  • Sennheiser x Drop HD 6XX ($199 at Drop): This is the closest you’ll get to a true HD 650 but for half the budget. These are outstanding headphones for the mixing station—not so much for the booth.
  • Sennheiser HD 600 ($299 at Amazon): Older-model headphones stick around because they perform their function and perform it well. The Sennheiser HD 600 is one of the most venerated headphones in the audiophile space over the last few decades and for good reason.

Don’t need studio headphones? Get something else!

If you want good quality headphones and have money to spend but don’t want studio headphones, you should probably get something else. Though studio headphones offer very good sound quality, these headphones are most often more expensive to get and offer far fewer features than consumer headphones. It’s very probable that if you’re not an audiophile or music creator, you don’t want studio headphones.

Edifier Stax Spirit S3 shown being worn outside.
If you’re going outside, studio headphones are a poor choice.

For example, studio headphones are pretty terrible for commuters: a situation where you’d want active noise canceling headphones instead for their superior noise isolation and bassier sound (that can more easily be heard over engine noise). Additionally, studio headphones aren’t generally meant for gaming consoles — making them a poor pick for that purpose.

Studio headphones shine by the computer and in the mixing booth. They’re most often tools designed for a specific purpose, even if they can be utilized for your own enjoyment, depending on the situation.

What you should know about studio headphones

Studio headphones aren’t for everyone, as many of us prefer a bit of bass amplification for daily listening. What many people consider to be good sound isn’t what everyone else considers to be good sound. But when you’re getting paid to do a job, accuracy takes priority over a consumer-friendly experience. While we could go on about all of the reasons why you should want some studio headphones, we’ll keep it simple with a few quick points.

How should studio headphones sound?

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Any set of headphones has a designated frequency response, which indicates how a particular set of headphones reproduces all of the tones within our range of hearing (typically 20Hz-20kHz). If you’re recording or creating music, you will want a pair of headphones with a relatively neutral frequency response to allow for accurate, consistent mixing. This means that the drivers don’t emphasize or de-emphasize any particular area of the spectrum more or less than the others. Nothing is perfect, but the closer you can get to that ideal studio response, the more accurate your mix will sound.

Your ears aren’t perfect. Our actual range of hearing depends greatly on our age and how well we’ve been taking care of our ears throughout our lives. You can even up to your ears to the test here.

Do you need an amp or DAC?

While consumer headsets don’t typically require an external amp, studio headphones often will need them. Fortunately, plenty of easy-to-use USB interfaces are available to streamline your production process.

Should you get open or closed-back headphones?

The Philips Fidelio X2 open-back headphones lean against the Shure AONIC 50 Bluetooth headphones with noise canceling.
Lil Katz / SoundGuys
Open-back headphones are great for specific environments, but closed-back headphones are more versatile.

Open-back and closed-back headphones refer to whether the back of the headphone driver is open to the environment or enclosed. While closed-back headphones are better for isolating the listener from their surroundings, open-back cans are typically better for studio applications: they create a better representation of three-dimensional sound. Studio headphones are typically closed-back, so the musicians can use them while recording without risk of sound feeding back into the microphones. Still, open-back headphones can be used for monitoring and mixing purposes.

Why you should trust SoundGuys

Working at SoundGuys allows each of us to have plenty of hands-on time with the latest and greatest audio products. While we do spend ample time testing out great products, we also receive some ones that need work. Regardless of how one pair of headphones stack up against another, it gives us a different reference point for understanding what’s good and what’s not when it comes to consumer products.

Listening to the Beyerdynamic DT 1990 Pro studio headphones.
Testing headphones means putting them to work in realistic situations.

Ultimately, we want to make the research process easier for you so you can spend more time enjoying your headphones. None of our writers may benefit from championing one set of cans over another.

Frequently asked questions

The Sennheiser HD 25 is ideally suited to DJs with its swivel ear cups and on-ear fit. That on-ear fit is more isolating than other on-ear typically but not as effective as the seal you get from closed-back over-ear designs. Again, it’s comfortable for on-ear but not ideally suited for studios. Still, it does have a long cable, which is handy for tracking musicians.

The Sony WH-1000XM4 don’t have a particularly neutral frequency response, and they do let you equalize the sound signature in their app. You will want to use them in active mode (electronics switched on) since the passive response is not good at all.

Ideally, you will have both studio headphones and studio monitors. Studio headphones are necessary for recording and tracking, but studio monitors are much better for mixing. They create a more accurate soundstage than headphones can, making it easier and faster to create good mixes.

More vendors than just Amazon have quick and cheap shipping now, and plenty of small businesses sell your favorite products too. Where you choose to buy your headphones could depend on a lot of things, including your shopping ethics, how much customer support you want, and the warranty of the company. Check out our guide to get a rundown of some options and their stats.

For studio recording, musicians typically use closed-back headphones to prevent sound from feeding back into the microphones. However, for other studio applications like monitoring and mixing, open-back headphones are preferred due to their ability to create a better representation of three-dimensional sound.

Producers lean towards trusted classics and modern marvels alike. The Sony MDR-7506 has been a staple since the mid-1980s, while newer entrants like the Beyerdynamic DT 900 PRO X and the Sennheiser HD 600 have also found their place in professional studios.

In the studio realm, closed-back headphones are standard for recording sessions, ensuring sound doesn’t escape and interfere with recordings. Yet, when the scene shifts to mixing and monitoring, the open-back variants are often the top pick, offering a detailed and open sound profile.

Studio-grade headphones come with a range of price tags. For those on a budget, options like the Sony MDR-7506 start at around $99.99. On the higher end, headphones like the Sennheiser HD 820 can reach up to $2,399.95. But there’s a diverse range in between, catering to various needs and budgets.

Absolutely. Studio headphones are built for precision and flat frequency response, enabling accurate audio reproduction. They are designed for professionals who require nuance and detail in sound. In contrast, regular headphones often have a “colored” sound that boosts certain frequencies like bass, making them less accurate.

Generally speaking, studio headphones are not the go-to choice for DJs. DJs usually prefer headphones with enhanced bass and louder volume to cut through ambient noise, features typically absent in studio headphones. However, studio headphones can be useful in a studio setting for creating and mixing tracks.

Studio musicians usually hear a customized mix that helps them keep time and pitch. This mix often includes a metronome click, other instruments, and sometimes even a guide vocal. The goal is to provide them with all the necessary audio cues for a pitch-perfect performance.

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