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1 / 7MDAQS Overall — measured in the SoundGuys lab.
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Open-back appears on 36% of the 64 studio & professional headphones we've cataloged (of 68).
below average for studio & professional headphones — based on 55 of 68 we've cataloged.
Wired-3.5mm is the most common — on 92% of the 66 studio & professional headphones we've cataloged (of 68).
above average for studio & professional headphones — based on 57 of 68 we've cataloged.
Objective measurements from the SoundGuys test lab — overlay other models to see how this one compares.
Measured frequency response (dB relative) against the SoundGuys Headphone Preference Curve. When the measurement goes above the dashed line, that frequency is louder than our preference curve, and when it goes below: it's quieter. Use the curve for comparison purposes only, as your taste may vary.
| Frequency (Hz) | Response (dB) |
|---|---|
| 20 | 0.7 |
| 25 | 1.5 |
| 32 | 2.1 |
| 40 | 2.5 |
| 50 | 2.5 |
| 63 | 2.3 |
| 80 | 2.8 |
| 100 | 3.0 |
| 125 | 2.8 |
| 160 | 2.3 |
| 200 | 1.8 |
| 250 | 1.3 |
| 315 | 0.8 |
| 400 | -0.1 |
| 500 | -0.4 |
| 630 | -0.4 |
| 800 | -0.2 |
| 1000 | 0.1 |
| 1250 | 0.7 |
| 1600 | 2.8 |
| 2000 | 5.2 |
| 2500 | 4.7 |
| 3150 | 5.9 |
| 4000 | 9.4 |
| 5000 | 5.5 |
| 6300 | 6.4 |
| 8000 | 14.7 |
| 10000 | 5.9 |
| 12500 | 3.2 |
| 16000 | -4.8 |
| 20000 | -14.4 |
Passive isolation (dB) with ANC off — how much ambient noise the fit blocks on its own. Higher on the chart means more attenuation.
| Frequency (Hz) | Attenuation (dB) |
|---|---|
| 21 | -5.1 |
| 26 | -0.4 |
| 33 | -0.0 |
| 41 | -0.1 |
| 52 | 0.0 |
| 65 | 0.1 |
| 82 | -0.3 |
| 103 | -0.2 |
| 130 | -0.1 |
| 163 | -0.2 |
| 205 | -0.3 |
| 259 | -0.4 |
| 325 | -0.5 |
| 410 | -0.9 |
| 516 | -1.3 |
| 613 | -1.4 |
| 772 | -1.3 |
| 972 | -0.6 |
| 1220 | 1.7 |
| 1540 | 3.4 |
| 1940 | 6.0 |
| 2440 | 9.6 |
| 3070 | 5.6 |
| 3870 | 16.6 |
| 4870 | 20.7 |
| 6130 | 30.2 |
| 7720 | 21.1 |
| 9720 | 28.4 |
| 12200 | 26.0 |
| 15400 | 21.1 |
| 19400 | 18.6 |
Multi-Dimensional Audio Quality Scores (1–5), modeled from the measured response. Higher is better across timbre, distortion, and immersiveness — add other models to see where this one lands.
The verdict
If you're a fan of Beyerdynamic, the DT 1990 PRO MKII builds upon its previous versions' success with the ability to change the tuning through alternative pads. While treble-sensitive listeners may want to keep looking, content creators and perhaps gamers with dough to blow might find a comfortable ally in these cans.
✓Liked: Build quality, Removable pads, cable, Cable choices, Low power requirements
✕Could be better: Very prominent treble, Mass, miniXLR cables difficult to replace
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Owner notes are not paid for, not solicited from specific owners, and not edited by us. The commission SoundGuys may earn on this page comes from retail links, never from notes.
Own the beyerdynamic DT 1990 PRO MKII?
Three answers, four quick reads, one sentence nobody tells you before buying. Shown under a pseudonym.
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