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1 / 4AKG K712 PRO
Key specs
Open-back appears on 35% of the 65 studio & professional headphones we've cataloged (of 68).
above average for studio & professional headphones — based on 51 of 68 we've cataloged.
Wired-3.5mm is the most common — on 91% of the 66 studio & professional headphones we've cataloged (of 68).
Sound
- Acoustic Design
- Open-back
- Impedance
- 62 Ω
- Frequency Response
- 10-39.8k Hz
- Driver Type
- Dynamic driver
- Frequency Response High Hz
- 39800 Hz
- Frequency Response Low Hz
- 10 Hz
- Sensitivity
- 105 dB/mW
Connectivity
- Connection Type
- Wired-3.5mm
- Cable Type
- 3.5mm single-ended, coiled, straight detachable
Design
- Weight
- 235 g
- Ear Pad Type
- Velour
- Detachable Cable
- Yes
Microphone
- Microphone
- No
SoundGuys review
Read the full review ›If you are looking for open-back headphones with an emphasis on treble to pick out details in a mix, the AKG K712 Pro are a good option.
Lab data
How we test ›Objective measurements from the SoundGuys test lab — overlay other models to see how this one compares.
Measured frequency response (dB) against the SoundGuys house target — the dashed curve. The closer the measured line tracks the target, the more neutral the tuning; peaks ride above the target, dips fall below it.
Frequency response — measurement data
| Frequency (Hz) | Response (dB) |
|---|---|
| 20 | -5.5 |
| 25 | -4.0 |
| 32 | -2.6 |
| 40 | -1.6 |
| 50 | -0.7 |
| 63 | -0.1 |
| 80 | 0.1 |
| 100 | 0.2 |
| 125 | 0.6 |
| 160 | 1.1 |
| 200 | 1.4 |
| 250 | 1.7 |
| 315 | 1.6 |
| 400 | 1.5 |
| 500 | 1.9 |
| 630 | 2.3 |
| 800 | 1.9 |
| 1000 | -0.1 |
| 1250 | -0.4 |
| 1600 | 4.8 |
| 2000 | 10.3 |
| 2500 | 10.8 |
| 3150 | 5.2 |
| 4000 | 8.9 |
| 5000 | 9.1 |
| 6300 | 10.3 |
| 8000 | 14.1 |
| 10000 | 5.0 |
| 12500 | 3.0 |
| 16000 | -4.0 |
| 20000 | -11.4 |
Passive isolation (dB) with ANC off — how much ambient noise the fit blocks on its own. Higher on the chart means more attenuation.
Passive isolation — measurement data
| Frequency (Hz) | Attenuation (dB) |
|---|---|
| 21 | -6.5 |
| 26 | 2.0 |
| 33 | 0.1 |
| 41 | 0.1 |
| 52 | 0.0 |
| 65 | 0.1 |
| 82 | -0.1 |
| 103 | -0.1 |
| 130 | -0.1 |
| 163 | -0.2 |
| 205 | -0.2 |
| 259 | -0.2 |
| 325 | -0.3 |
| 410 | -0.4 |
| 516 | -0.5 |
| 613 | -0.5 |
| 772 | -0.1 |
| 972 | 0.5 |
| 1220 | 1.5 |
| 1540 | 2.9 |
| 1940 | 2.1 |
| 2440 | 7.6 |
| 3070 | 6.9 |
| 3870 | 1.6 |
| 4870 | 13.7 |
| 6130 | 4.9 |
| 7720 | 6.8 |
| 9720 | 10.4 |
| 12200 | 15.4 |
| 15400 | 21.4 |
| 19400 | 13.0 |
Features & Opinions
More from the team ›Commentary and deep dives from the SoundGuys editorial team.
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