High-end headphones can be a bit of a crapshoot, especially if you’re buying online. With so many options out there now, many people rely on older companies that have been around the block a few times to deliver them to audio nirvana. Beyerdynamic is one of those older players, with an absolutely legendary line of cans and many, many years of design experience. But is the open-back DT 880 PRO right for you? Now that’s a good question.

This review was updated May 17, 2021 to update the test data for the DT880 PRO.

What’s in the box

Taking a peek inside the packaging for the DT 880 PRO, you’ll find your headphones, a 1/4″ adapter (threaded), assorted documentation, a carrying pouch, and a reminder to enjoy your headphones printed onto the top fastening tab.


A photo of the Beyerdynamic DT 880 PRO's plug.

The threaded 1/8th inch jack allows you to screw on a 1/4th inch adapter.

The Beyerdynamic DT 880 Pro terminate in a 1/8th-inch TRS plug, threaded for a 1/4-inch adapter for high-end/high-output systems. You’ll need an amp for these babies to get the most out of them, and that’s really not much of a surprise. With dynamic headphones, impedance isn’t exactly something that is constant from frequency to frequency, and can vary wildly. Since these headphones’ impedance at 1kHz is 250Ω already, you can bet that at some points it’s a bit higher. However, you don’t need to go crazy here, just get an amp that suits your needs and don’t worry too much that you didn’t spend enough. A FiiO, Objective Amp, or even a cheapie Focusrite interface should be overkill.

Related: Best headphone amps of 2019

Given that this particular model has a high impedance of 250Ω and a sensitivity of 96dB/mW, an amp is the only way to push these louder. However, 96dB is plenty loud, so don’t go too crazy with that volume knob, eh? There are 32Ω and 600Ω versions of the DT 880 PRO, but I highly suggest getting the 250 or 600Ω model over the 32Ω one, as its low damping factor can sometimes lead to unexpected performance issues (depending on your source). They’re still great headphones, but if you can find them all for the same price, you squeeze that much more out of the higher-impedance models.

What is the Beyerdynamic DT 880 PRO like?

The DT 880 PRO is a set of semi-open over-ear headphones, with a matte chrome finish on the back, and a matte black finish on the metal ear forks and band. The band itself is wrapped in a leather padding that’s fastened by buttons (more on that later). The cable hangs from the left ear cup, protected by stout rubber guards and shielding. Should you tend to move around a lot while listening, the three meters (9.8ft) of coiled cable length will give you some needed freedom from your computer chair.

A photo of the Beyerdynamic DT 880 PRO's silhouette

The DT 880 has the same general build as the Beyerdynamic lineup, and that’s a rather iconic profile.

But what’s probably the best thing about Beyerdynamic cans is the fact that their external features are not only largely identical, but they’re really good. The metal band and forks aren’t going to break on you, and should parts like the band padding wear out: you just get new ones online. If for some reason you’re not a fan of velour on your noggin, you can go online and grab yourself any Beyerdynamic replacement pads, and they’ll work on the DT 880 PRO as well.  Don’t wear glasses like me, and prefer leather? You can grab ’em. Don’t like silver as a color? You get the idea.

If you plan on using these at the computer or mixing board, you’ll appreciate the fact that the velour pads in conjunction with the wide area of contact make for a very comfortable experience, especially over long periods of time. Because the backs are “semi” open, heat doesn’t tend to build up, but sound does leak a lot—plan accordingly.

What does the Beyerdynamic DT 880 PRO sound like?

So lets get this out of the way first: My impressions of these cans have not changed since I first reviewed them in 2013 for another outlet. However, I do want to call attention to something I flubbed on last time, and that’s the relative over-emphasis of sibilant sounds in the 7-10kHz range. While many people have difficulty hearing these notes—especially if you’re older—it’ll definitely be noticed in trappy beats, newer synth-heavy tunes, and anything with a lot of claps, hi-hats, or cymbals. Listen to classic rock, punk, or orchestral music? You’ll love these a lot.

A chart detailing the frequency response of the Beyerdynamic DT880 PRO when compared to the SoundGuys house curve.

Most open-back headphones are a little weaker in the sub-bass than the mass market may want, but the DT880 PRO do a great job with the most important ranges.

For most uses, the Beyerdynamic DT880 PRO will be very forgiving, as they don’t color music much at all outside of that high-end overemphasis I mentioned earlier. However, it is always easier to equalize away an overemphasis than it is to fix an underemphasis. Because the DT880 PRO is so flat in its frequency response otherwise, you can dial in a good result for your at-home listening without much effort. While it doesn’t line up all that well with our house curve, that’s because it’s targeting a different standard, and isn’t trying to explode your skull with bass. Even if the Beyerdynamic DT880 PRO deviates from our target there, you can safely ignore that part if you’re looking for a set of computer cans.

A chart detailing the error curve of the Beyerdynamic DT880 PRO when compared to the SoundGuys house curve.

The Beyerdynamic DT880 PRO aligns extremely well with our target curve, but definitely eschews a bass shelf to make itself more palatable to the high-end audio crowd.

For the range of sound where music lives (80-10kHz), most of the songs you listen to will come through very closely to how it was mixed—with each note coming through without much change at all to its original loudness. It’s not perfect under 100Hz, but it’s a lot closer than most headphones get. The 5dB dip at 4-5kHz is a very common feature for headphones, as natural resonances in the human ear can cause this sort of weirdness. As it’s describing a common feature to the human ear canal, you won’t notice it.

There’s very little from the lows to high mids that’s really emphasized over other notes. Consequently—outside of that treble peak from 7-10kHz—music will sound very clear. There’s a bit of distortion in the low end, but it’s inaudible to the point where you’ll only notice it if you are super young and know what to look for. If you listen to 70s-2000s rock or hiphop: you won’t be able to tell what’s there or what was recorded.

Because these are open-backed headphones, there’s really no isolation to speak of. You shouldn’t take these out in the world, on public transit, or on an airplane, for example. For best results, you’ll need a quiet environment that won’t mask your music. Should you ignore my advice, you’ll probably be unable to hear… anything but the snare drum in Otis Redding’s Cigarettes and Coffee.

Should you buy this?

The metal forks and grill provide a stout set of headphones that can weather a little wear and tear.

Whether or not the DT 880 PRO is worth your money is really up to you. These are very firmly in the “enthusiast/hobbyist” range of purchases, and while they’re very good headphones: they’re not for everyone, especially not those sensitive to peaks in treble. You want an amp with these, and potentially a DAC if you listen primarily from your laptop. Additionally, these are not for venturing out into the world—they’re meant to stick by your computer or mixing board.

If you’re looking for studio headphones, you may want to poke around for a while to make sure these are going to fit your needs. If you’re simply looking to do some tracking, let your performers use something cheaper like the Sony MDR-V7506.

But if you like the Beyerdynamic sound, and if you’re looking for a set of ultra-comfortable, easily customizable cans that won’t let you down: the DT 880 PRO is a solid purchase.

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Beyerdynamic DT 880 PRO
Semi-open reference headphone for monitoring applications.