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1 / 8A 8.1 puts its noise isolation / ANC in the top 10% of wireless earbuds we've measured.
Measured on 133 of the 271 we've cataloged.
A 4 puts its audio quality in the bottom quarter of wireless earbuds we've measured.
Measured on 64 of the 271 we've cataloged.
Sony's first gaming IEMs, the INZONE E9, are an example of focusing on specific areas that lead to great results. It does extremely well in competitive FPS titles, at the cost of being worse at everything else. For serious competitive gamers, these are worth getting.
Objective measurements from the SoundGuys test lab — overlay other models to see how this one compares.
Measured frequency response (dB) against the SoundGuys house target — the dashed curve. The closer the measured line tracks the target, the more neutral the tuning; peaks ride above the target, dips fall below it.
| Frequency (Hz) | Response (dB) |
|---|---|
| 20 | -6.7 |
| 25 | -5.3 |
| 32 | -4.0 |
| 40 | -2.7 |
| 50 | -1.6 |
| 63 | -0.7 |
| 80 | -0.1 |
| 100 | 0.4 |
| 125 | 0.6 |
| 160 | 0.2 |
| 200 | -0.5 |
| 250 | 0.2 |
| 315 | -0.3 |
| 400 | -1.7 |
| 500 | -1.9 |
| 630 | -1.3 |
| 800 | -0.8 |
| 1000 | 0.1 |
| 1250 | 1.5 |
| 1600 | 3.8 |
| 2000 | 6.6 |
| 2500 | 8.6 |
| 3150 | 6.0 |
| 4000 | 3.4 |
| 5000 | 4.9 |
| 6300 | 5.3 |
| 8000 | 2.1 |
| 10000 | -6.9 |
| 12500 | -8.3 |
| 16000 | -12.2 |
| 20000 | -16.4 |
Passive isolation (dB) with ANC off — how much ambient noise the fit blocks on its own. Higher on the chart means more attenuation.
| Frequency (Hz) | Attenuation (dB) |
|---|---|
| 21 | 11.7 |
| 26 | 11.9 |
| 33 | 11.0 |
| 41 | 7.5 |
| 52 | 15.7 |
| 65 | 14.5 |
| 82 | 12.9 |
| 103 | 13.4 |
| 130 | 13.9 |
| 163 | 11.9 |
| 205 | 9.3 |
| 259 | 11.4 |
| 325 | 13.7 |
| 410 | 20.4 |
| 516 | 13.4 |
| 613 | 14.8 |
| 772 | 21.7 |
| 972 | 23.8 |
| 1220 | 29.1 |
| 1540 | 30.6 |
| 1940 | 35.2 |
| 2440 | 38.1 |
| 3070 | 41.0 |
| 3870 | 36.8 |
| 4870 | 31.5 |
| 6130 | 34.4 |
| 7720 | 36.4 |
| 9720 | 44.2 |
| 12200 | 38.2 |
| 15400 | 49.4 |
| 19400 | 40.3 |
Multi-Dimensional Audio Quality Scores (1–5), modeled from the measured response. Higher is better across timbre, distortion, and immersiveness — add other models to see where this one lands.
Commentary and deep dives from the SoundGuys editorial team.











