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1 / 7Durable and time-tested, this is a great set of cans... if you're not sensitive to treble peaks, that is.
Wired-3.5mm is the most common — on 48% of the 215 over-ear headphones we've cataloged (of 240).
This is a fantastic set of open-back headphones for $300 USD, its original retail price, and now you can snag it often for less than $200 USD, making it a complete steal. Its tough-as-nails construction and comfortable velour padding make for a relaxed experience. However, if you're sensitive to treble peaks, you may want to keep looking.
Objective measurements from the SoundGuys test lab — overlay other models to see how this one compares.
Measured frequency response (dB) against the SoundGuys house target — the dashed curve. The closer the measured line tracks the target, the more neutral the tuning; peaks ride above the target, dips fall below it.
| Frequency (Hz) | Response (dB) |
|---|---|
| 20 | -6.8 |
| 25 | -5.6 |
| 32 | -4.6 |
| 40 | -3.9 |
| 50 | -3.3 |
| 63 | -3.4 |
| 80 | -2.6 |
| 100 | -1.9 |
| 125 | -1.6 |
| 160 | -1.4 |
| 200 | -1.3 |
| 250 | -1.3 |
| 315 | -1.2 |
| 400 | -1.5 |
| 500 | -1.3 |
| 630 | -0.8 |
| 800 | -0.3 |
| 1000 | 0.1 |
| 1250 | 0.1 |
| 1600 | 1.9 |
| 2000 | 4.8 |
| 2500 | 7.5 |
| 3150 | 9.1 |
| 4000 | 6.1 |
| 5000 | 4.0 |
| 6300 | 10.1 |
| 8000 | 10.2 |
| 10000 | 8.6 |
| 12500 | 3.7 |
| 16000 | -3.8 |
| 20000 | -14.7 |
Passive isolation (dB) with ANC off — how much ambient noise the fit blocks on its own. Higher on the chart means more attenuation.
| Frequency (Hz) | Attenuation (dB) |
|---|---|
| 21 | 0.5 |
| 26 | 1.3 |
| 33 | -0.0 |
| 41 | 0.0 |
| 52 | 0.1 |
| 65 | -0.3 |
| 82 | 0.2 |
| 103 | 0.2 |
| 130 | -0.2 |
| 163 | -0.2 |
| 205 | -0.3 |
| 259 | -0.4 |
| 325 | -0.5 |
| 410 | -1.0 |
| 516 | -1.3 |
| 613 | -1.8 |
| 772 | -2.7 |
| 972 | -3.6 |
| 1220 | -3.6 |
| 1540 | -1.4 |
| 1940 | -1.9 |
| 2440 | 3.9 |
| 3070 | 5.6 |
| 3870 | 13.0 |
| 4870 | 21.8 |
| 6130 | 20.9 |
| 7720 | 19.7 |
| 9720 | 18.3 |
| 12200 | 17.1 |
| 15400 | 27.3 |
| 19400 | 27.6 |
Commentary and deep dives from the SoundGuys editorial team.











