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Best XLR microphones
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Read full review...
While USB mics are often cheap and easy to use, XLR microphones tend to emit less internal noise and feature replaceable parts. They’re used in almost all professional settings, and are great for making high-quality recordings as well as amplifying sounds in live performances. If you’ve accumulated some studio headphones and studio monitors, and have written some songs to record, you just might be ready to buy your first microphone for your home studio. There are countless styles of XLR microphones out there, so we’ve compiled this list of the top five to help you narrow down your decision.
Editor’s note: this list of the best XLR microphones was updated on March 17, 2022, to include a Notable mentions section and to include a Disclosure about standardized microphone samples.
The best XLR microphone is the Shure SM58
This dynamic microphone is a live performance industry standard, but it is also well-functioning as a vocal recording mic for both singers and podcasters. The frequency response is designed to highlight vocals and combat the proximity effect by de-emphasizing low notes. Therefore, this XLR mic is not ideal for recording instruments such as a bass guitar. Being dynamic in nature, the SM58 does not require phantom power, and its bulbous grille acts as a built-in pop filter. It has a unidirectional cardioid pickup pattern, making it best for recording what’s placed directly in front of it.
The SM58 is affordable and durable, making it highly convenient for traveling to live shows. The microphone contains an internal shock mount, so live singers can take the mic off its stand to do air kicks during their performances, without distorting the sound.
Shure SM58 speaking sample:
Shure SM58 singing sample:
Shure SM58 acoustic guitar sample:
Shure SM58 electric guitar with amp sample:
The XLR microphone with the best sound is the Rode NT1-A
This all-metal condenser microphone is best known for its audio quality. The Rode NT1-A has an internal capsule shock mount system, and creates little internal noise—no more than 5dB(A) equivalent input noise (EIN), making it useful for recording vocals, guitars, and percussion instruments. It has a neutral-leaning frequency response, so it reproduces audio accurately to what the ear hears, and the emphasis from 1kHz and higher improves speech intelligibility. The NT1-A has a cardioid polar pattern, and picks up sound from its flat side, making it an ideal vocal mic.
This XLR mic requires phantom power of either +24V or +48V, which needs to be purchased in the form of an interface or preamp. However, the microphone itself comes with an external pop shield, shock mount, downloadable instructional video, and 6-meter XLR cable to plug the mic into your interface. While the microphone is not very portable, it comes with a dust cover to keep it safe in your studio when not in use.
Related: CD Baby review
The AKG P420 is extremely versatile
AKG’s microphone has a dual-diaphragm on its condenser, so it can provide multiple polar patterns, including cardioid, omnidirectional, and bi-directional. This makes the P420 extremely versatile, and can be used for vocals, instruments, whole-room recordings, and more. It provides the option to switch on a high-pass filter to reduce the level of low-frequency room noise, and the option to switch in an attenuation pad to reduce high signal levels and prevent clipping distortion coming from sounds with a high volume.
This condenser microphone comes with a shock mount and a carrying case, but you’ll want to buy a pop-filter for it to reduce those plosives and fricatives. It also requires +44V to +52V phantom power. The build is all metal, making it durable, and it has a static condenser, so you’ll want to keep it in the shock mount at all times to reduce unwanted noise.
AKG P420 Cardioid Pattern:
AKG P420 Bi-Directional Pattern:
AKG P420 Omnidirectional Pattern:
AKG P420 High-Pass Filter:
AKG P420 -20dB Preattenuation Pad:
AKG P420 singing sample:
AKG P420 acoustic guitar sample:
AKG P420 electric guitar with amp sample:
The Electrovoice RE20 is the best XLR microphone for the voice
This professional dynamic microphone is used in radio stations all across the world, but it serves just as well in recording vocal music. It uses Electro-Voice’s patented Variable D design to control the microphone’s proximity effect and has a bass roll off switch, so you can get nice and close if you want to record ASMR, and its frequency response highlights the vocal range. You don’t need any phantom power to use this all-metal microphone.
The large humbucking coil diaphragm mitigates unwanted electromagnetic interference. The RE20 has a cardioid polar pattern, so it won’t pick up sound from behind the mic. The mic comes with a stand adapter and a carrying case, and has an internal pop filter and an internal shock mount. There is an option to purchase an external shock mount separately, if you want to add that extra protection against handling noise.
You’ll get the best bang for your buck with the AT2020
The Audio-Technica AT2020 is a condenser microphone that requires +48V phantom power, so you’ll have to invest in some kind of external preamp or interface. It has a cardioid polar pattern, and a slightly higher self-noise than normal, averaging at 20dB(A) EIN, so it is best used for vocals or close-miked instruments. Additionally, its low sensitivity combined with its ability to reproduce loud noises without distortion makes it most effective for close-proximity recording.
This metal XLR microphone comes with a stand mount, threaded mount adapter, and carrying pouch. It has a static condenser, so you’ll want to consider buying a shock mount for it to reduce handling noise. Additionally, it doesn’t come with a pop filter, so you’ll definitely want to add one to your shopping cart. For a cheap microphone, the AT2020 has good sound quality, but if you’re looking for additional features or included add-ons, you may want to consider a more expensive mic.
Audio-Technica AT2020 speaking sample:
Audio-Technica AT2020 singing sample:
Audio-Technica AT2020 acoustic guitar sample:
Audio-Technica AT2020 electric guitar sample:
For the best on an unlimited budget, grab the Shure SM7b
One of the best XLR mics in the business is the Shure SM7b, but it’s pretty expensive for those just starting out. If you have the money to spend, this is definitely a microphone you want to have in your closet. It reproduces vocals extremely well and rejects off-axis noise for a clean pickup. Its build is super durable as well, so you don’t need to worry that your $400 will be spent in vain. The mic comes with a pop filter installed and effectively reduces p-pop plosives.
Related: Best vocal microphones
The Shure SM7b has switches that let you choose between three frequency responses: Flat, bass rolloff, and mid-range emphasis (presence boost). This helps make the microphone more versatile, and it can very effectively be used to record other sources besides vocals. It’s truly a tank of a microphone that can be applied to whatever you need it for in the studio.
Shure’s hybrid USB/XLR microphone, the Shure MV7, is a very versatile option for podcasters and collaborators. You can use the outputs simultaneously to record a low-res reference file and a high-resolution file for edits. The touch control system is cool, but not very useful, because anytime you touch the mic, the vibrations are recorded.
The mic reproduces vocal recordings very accurately, and the sound signature is adjustable to your needs. Shure’s desktop software is also extremely useful and easy to understand, making this an approachable mic for beginners and enthusiasts alike.
The best XLR microphones: Notable mentions
- Beyerdynamic M70 PRO X: This XLR microphone isn’t cheap but when you buy it, you’re investing in something built to last a long time. Beyerdynamic provides a pop filter and elastic shock mount, which you’ll need to attach it to a stand. Like the Shure SM58, this is a dynamic microphone and can handle loud volume inputs before introducing any kind of distortion, making it great for broadcasting and podcasts where someone might unexpectedly burst out laughing close to the mic. If you want a condenser version of this microphone, check out the M90 PRO X.
- Blue Yeti Pro: This is a good choice if you want both an XLR and USB input for a more customizable experience. The mic comes with a desktop stand and has four polar patterns: cardioid, stereo, omnidirectional, and bidirectional. Its onboard headphone volume and gain adjustments also make it easy to use and control.
- Rode NT1: If you want a slightly more neutral frequency response than the Rode NT1-A offers, the Rode NT1 is an equally great condenser microphone with an even lower self-noise than the Rode NT1-A.
- sE Electronics sE2300: This is one of the clearest sounding mics in its price range due to its neutral-leaning frequency response with a slight presence boost. The presence boost enhances vocal clarity and instruments by amplifying harmonic content. Unfortunately it is quite expensive.
- Shure MV7X: This XLR microphone is just like its older sibling the MV7, but it is XLR only. You don’t get a USB ouput, onboard controls, or access to the Shure MOTIV app.
- Shure 55SH Series II: If you like the idea of the Shure SM58 but want something a bit more stylish, this dynamic microphone is for you. The classic Elvis mic is well suited to recording vocals and has great sound quality. The Shure Super 55 is a very similar mic with similarly great vocal reproduction, though it has a supercardioid polar pattern whereas the 55SH Series II has a regular cardioid polar pattern.
Hold up! Something’s different:
We’ve made a big improvement to how we demonstrate the microphone performance of products we review. We now use a standardized test setup that plays back pre-recorded phrases from a calibrated artificial mouth in our test chamber, either with or without simulated background noises, simulated reverberant spaces, or artificial wind. This means that samples from every product can be directly compared, which makes it far easier to make meaningful comparisons between products in terms of the raw speech quality or the product’s ability to reject noise.
It will take a while to update our backlog of old test results, but we will update this review (and many others!) once we’re able with improved microphone demos. These will be made obvious in each new sample which begins with the phrase, “This is a SoundGuys standardized microphone demonstration …”
Thank you for bearing with us, and we hope to see you again once we’ve sorted everything out.
What you should know about the best XLR microphones
What is an XLR microphone?
Microphones with XLR outputs are used all across the board, in recording instruments and vocals, radio broadcasts, live performances, and more. XLR microphones don’t have the same internal electrical noise issues that USB microphones can, producing a high quality, clean sound that’s easy to deal with in post-production. In order to adapt one of these to your computer’s recording software, you will need an audio interface or a preamp. However, if you are using the microphone for live performance, whether or not you need an interface will depend on if the microphone is dynamic or condenser.
What is the difference between a dynamic and condenser microphone?
The most notable difference between dynamic and condenser microphones is that the former does not require phantom power provided by an interface to produce an output, whereas the latter does. Additionally, dynamic microphones are able to withstand loud volumes without distortion, making them suitable for picking up a loud voice or instrument in a live performance, or for recording loud instruments such as drums or electric guitars in the studio. Condenser mics, on the other hand, can have higher sensitivity, making them ideal for isolated studio recordings where you want to pick up the subtle details of a voice or acoustic guitar, for example.
What are the uses of different polar patterns?
Depending on the use you have in mind for your XLR mic, you will want to look for a specific polar pattern, or shape in which a microphone picks up sound. The main polar patterns are as follows: cardioid, omnidirectional, bidirectional, hypercardioid, and supercardioid. Each polar pattern has certain uses more suited to them, depending on the direction the microphone is pointed or placed.
When it comes to testing XLR microphones, we make sure to get as much hands-on experience as we can with each microphone. Once we review a product, we then discuss whether it’s worthy of a spot on one of our best lists, and if it is, we put it to a vote as a team.
We’re in the process of standardizing our microphone demos with pre-recorded phrases from a calibrated artificial mouth chamber. When we play these uniform audio samples, we do so either with or without simulated background noise (e.g., wind, office noise, street noise, and reverb). We do this so you can directly compare one product to another in a meaningful way. We’re also working on a standardized way to collect this data and present charts that will accompany these demos.
If a product makes it on the list, it isn’t necessary here forever: this document is ever-changing as new and noteworthy products hit the market, and we always have our eyes and ears open for products worth your dollar.
Each writer at SoundGuys has accumulated years of experience reporting on the consumer audio market, and our staff adheres to a strict ethics policy. We don’t use ads or sponsored content on the website at a time when doing so is the norm. SoundGuys’ survival depends solely on readers enjoying their purchases. We pride ourselves on transparently outlining objective facts, while accounting for the subjective experience to contextualize an audio product’s performance. When we do misspeak, we correct and own up to it.
Next: Bandcamp review
Frequently asked questions about XLR microphones
XLR cables that have a female XLR on one end and a male XLR on the other end have the most reliable connection because they keep the signal balanced. If you want the cheapest option, the AmazonBasics branded cables start at just $7 USD, but people who put their equipment through the ringer should get the more durable Rapco Horizon N1M1, which will run you about $25 USD for a 25-foot cable.