Transitioning from practicing in your parents’ basement to rocking a full house at the local pub is a big step. But as with all things audio, we’re here to help. That’s right, dust off that portable amp and get that electric-acoustic guitar restrung; we’re talking about what to expect at an open mic.
What you should know before your first open mic
If you have the time, scope out the venue a week before you plan to play there. Worst case scenario, you listen to a few aspiring artists and cheers with a buddy or two. Best case scenario? You know exactly what to expect from the layout of the venue, to the type of people that visit, to the drink specials. After all, an ounce of liquid courage goes a long way for the anxious.
- Do your research… and then research a little more. No one wants to be that guy who shows up at a stand-up open mic only to realize he’s ill-prepared with John Mayer covers and a flask of Jim Beam.
- Not every venue has an amp. This goes hand in hand with the previous point. If you go into the open mic well prepared, you’ll know if it’s a BYOG (bring your own gear) situation or not.
- Your hands will sweat. In which case, make sure to keep an extra pick… or eight in your pocket—assuming that you’re playing guitar that is.
- There’s probably a sign-up sheet. And if there is, add that John Hancock of yours to the list—the sooner the better. As any open-mic veteran will tell you, if you don’t sign up sooner, you’ll certainly be performing later. Much, much later. That said, one could argue it’s a right of passage to sign-up for a later time slot only to be passed over for performing because everyone else opted for a five-song set instead of the courteous two, maybe three-song set.
- Polite and supportive performers are greeted with polite and supportive audiences. Mother was right, the whole “treat others how you want to be treated” platitude really is true.
People will talk over your set; it’s your job to convince them to listen
For better or worse, you’re probably going to be playing in front of a group of tipsy patrons who just want to be entertained, not necessarily engaged. That’s OK. If anything, that should alleviate some of your stress. Yes, the end-game dream may be to headline a sold-out show at Madison Square Garden. But again, that’s end-game territory. Your open-mic audience? They’re not going to notice if you repeat a line or screw up the chord progression. In fact, their lack of attention is liberating. It allows you to make mistakes.
That said, an engaging performance will be captivating. Even the greenest of us can put on an applause-worthy show. As America’s Got Talent viewers know, it’s the timid ones who leave the greatest impression. They may not have much to tell, but they sure have plenty to show. But how do you put on a mesmerizing show as a one-man act? Stage presence. It doesn’t necessarily mean being the loudest, most avant-garde voice in the room. No, rather it means that you’re self-assured.
‘Fake it until you make it’ is more than a vague piece of advice espoused by life coaches.
In all fairness, some of us are natural-born performers, while others have to work at it. If you identify as the former, great, and if you identify as the latter, great. Those who are more withdrawn should take comfort in the idea that the person you are on stage doesn’t need to be who you are at the coffee shop on Main Street. That’s what stage personas are for. As cheesy as it sounds—don’t worry, I’m about to breakout the Lactaid pills—you just have to project a persona that’s a beacon of confidence. Whether you’re confident in your coyness or in your boisterousness, you’re deliberately and decidedly you.
And remember, this is as much for you as it is for the audience. As cool as it is to work the crowd and receive endless rounds of applause, the fact that you’re committing to a public performance is something to be proud of. Even if you have an embarrassing moment, the great thing about us humans is that we hardly notice others’ mistakes nearly as much as our own.
Hecklers aren’t just for comedians
Though people are generally kind, there’s always a chance that you’ll bump into someone who enjoys getting a rise out of others. Whether they interrupt your set with impolite jabs or shout unquestionably rude things, just know it isn’t personal. Though, there’s no need to dwell on this, since occurrences like this are few and far between. If anything, you may get the occasional person trying to proposition you, but those are usually innocuous enough and make for fun stories.
Stay after your set
It’s been a long night, you’ve had a fun time socializing, and your adrenals are zonked after pre-show anxiety. But don’t leave immediately after your set, or at least try not to. Why? It’s just courteous. Wouldn’t it feel bad to see that everyone was just there for themselves, leaving one after the other once they performed?
Though there’s always an exception, open mics are a sort of sanctuary for the aspiring amateur. They’re a place for us performers to socialize—if not with each other, then at least with their friends. Really, it goes along with No. 5 of what you should know before your first performance. Being polite and supportive breeds politeness and supportive vibes.
Now grab that guitar, pocket those, picks, and sing and strum your heart out.